Outsourcing Memory: Why My Memory is a Lie

Untitled (Granocyte) 2013
Untitled (Granocyte) 2013

I do not remember the exact moment when I began questioning my memory. And until recently, it was not the center of my practice. In the summer of 2012, I was hospitalized as part of the final phase of chemotherapy to treat the Hodgkin’s disease I had relapsed earlier in the year. I do not recall in great detail much of what happened. This had nothing to do my memory, instead this selective amnesia was brought upon by the mundane day-to-day life of lying in a bed. I could not tell you what I ate, or wasn’t eating. I could not tell you how much weight I lost, or about the weather on the other side of my window. I was caught in a routine. What I can recall, in great detail, was the shaking hands of the medical student doing work experience that could not find my pulse. I remember the bulging eyes of the senior nurse as she read 39.2 degrees from the thermometer. But most of all, I remember the furrowed eyebrows of the doctor with a pen to his lips who stood, bewildered because he could not tell me what the next few days would consist of. These gestures reminded me of an artist whom I had looked to for visual advice.

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The Last Day: A Story of a Quantified Life

IMG_2824 The Last Day is a video work and installation that sets out to provoke thought about contemporary culture and lifestyle.  Made up of “found” video and images from the artist’s various social networks and using the language of contemporary media advertisement, The Last Day is an intense examination and reflection of the artist’s choice of living publicly while exploring themes of technology dependence, narcissism, and privacy.  The resulting video is 2 minutes and 15 seconds in duration and follows the fictional last day between the artist and his partner. Continue reading